PRACTICE living, thinking and writing |
Sunday, November 13, 2005 20-years of ‘Pride and prejudice’ complex I could not remember what was the last movie I saw in theater, which means it must be long long time ago. But since long long time ago, I’ve been looking forward to seeing this ‘Pride and Prejudice’. I can’t wait to see a young and perky Elisabeth Bennet (that doesn’t mean I don’t like BBC version and the one with Laurence Olivier). I was so excited with the approaching of its’ opening, that I felt I was back to the 13-year-old girl again, whose heart bouncing so fast when turning every page of the book (in Chinese at that time). For a very long time, I don’t know, or believe in any love other than the one between Darcy and Elisabeth, the one built on the parallel of two similar spirits, as well as the enjoyment of intellectual clash. I read and again all the chapters where two of them fight so hard to outwit each other buth underneath the conflict it was such intellectual satisfaction. I remember the sunny Saturday afternoon when my best girlfriend and I read together “if your feeling still are what they were last April, tell me so at once. My affection and wishes are unchanged, but one word from you will silence me on this subject for ever”. It sounds like Bach. We sighed and laughed at her small bed, dreaming about the days when someone will speak the same words to us. > Now back to the movie, I think it’s doing very well on such love-fight relationship and the chemistry is real between the two; some sexual energy is just right, except at the end the audience burst into laughter when Mr. Darcy showed his bare feet. Talking about the audience, the late show at a rainy night (So Seattle!) was surprisingly sold out and the room was so crowded which only reminds me the audience size for “Fahrenheit 911” or “Lord of Ring’. (Maybe people read more in It’s very interesting to see the director moved the setting of some important conversation from living room out to the wild. It adds a nice romantic touch and infuses more nature of force to the love in a very conservative era. Some of the scenes feel so “
|
|